VOICE OVER ..revenge is the only argument makes any sense. VOICE OVER Yep, Florence had been taking fertility pills, and she and Nathan had hit the jackpot. As Hi reaches the baby we hear footsteps climbing the stairs. He is trying to open the door, which Ed is holding shut with all her might. NURSERY Florence is holding one of the babies cradled against her shoulder. As we hear the wail of an approaching siren, Hi takes it on the heel and toe. LINE OF NEWSPAPER VENDING MACHINES Hi lounges near one of the vending machines as a businessman puts in a quarter. Instead of quieting as he is lowered into the crib, the squalling baby only sets off one of his brothers. He lifts the baby out of the crib and gently bounces it. LOW-ANGLE REVERSE The baby at the nursery door in the foreground; the staircase in the background. He is reaching to open the door but she slaps his hand away from the handle. HI They started cryin', then they were all over me... Muffled, through the closed window, and very forlorn: HI Aw honey I - ED Don't you come back here without a baby! Well, sometimes I get the menstrual cramps real hard. PAROLE MEETING ROOM Three PAROLE OFFICERS - two men and a woman - face Hi across a table. VOICE OVER ..it was like I was makin' popcorn, ya see... And Nathan Arizona - well hell, you know who he is... Hi goes over to the closet door, which is ajar, and swings it open. Behind him Hi, on his stomach, is reaching in to grab at his leg. Behind him, in the background, just rounding the open door from the nursery, yet another baby is making a mad dash for freedom. As she catches sight of something she breaks into a broad smile, unlocks the door, and slides over to the passenger seat. Moses' voice is mixing down as we lose him from frame. BUD So here comes Bill a-walkin' down Nine Mile - that's Bill Parker, y'understand - got his sandwich in one hand, the fuckin' head in the other... VOICE OVER As you probably guessed, Florence Arizona is the wife of Nathan Arizona. WIDE ANGLE UNDER CRIB A baby holding a rattle leers into the camera in the foreground. UPSTAIRS HALLWAY The floor-level wide-angle shot shows a baby crawling toward the camera in the foreground. CHEVY Ed sits anxiously waiting in the driver's seat, peering intently through the windshield.
At the far end of the corridor a huge con is sluggishly mopping the floor. CLOSE ON ED Looking up through her tears as Hi is led away. BACK TO HI Struggling to call back over his shoulder as he is firmly led out the door. VOICE OVER I can't say I was happy to be back inside, but the flood of familiar sights, sounds and faces almost made it feel like a homecoming.
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And if he wants to discuss it he knows where to find me... LOW ANGLE CELL BLOCK CORRIDOR As Hi is once again escorted toward his cell. COUNSELOR Most men your age, Hi, are getting married and raising up a family.
VOICE OVER I tried to sort through what the Doc had said, but prison ain't the easiest place to think.